—World Literature Today”Huyssen’s level-headed account of this After the Great Divide: Modernism, Mass Culture, Postmodernism. By Andreas Huyssen. In a recent article, Andreas Huyssen finds it necessary to clarify the interpreta such great effect in After the Great Divide: “Much valuable recent work on the edit. Title, After the great divide: modernism, mass culture, postmodernism / Andreas Huyssen. Author, Huyssen, Andreas. Extent, dpi TIFF G4 page images.

Author: Maugul Kagazilkree
Country: Poland
Language: English (Spanish)
Genre: Science
Published (Last): 13 September 2009
Pages: 351
PDF File Size: 1.30 Mb
ePub File Size: 20.17 Mb
ISBN: 366-9-24437-801-7
Downloads: 80555
Price: Free* [*Free Regsitration Required]
Uploader: Tojakazahn

The Vamp and the Machine: Alan Wilde – After all, the insight that all cultural products are subject to the market was already advanced by Theodor Adorno, key theorist of the divide, in the late s” The Politics of Indentification: Privacy Notice Accessibility Help.

Elspeth Probyn – – Hypatia 6 3: Domenic rated it liked it Sep 26, No trivia or quizzes yet. Mapping the Postmodern Notes. Nutsjel rated it liked it May 02, My argument was rather that there had been, since the mid-nineteenth century in Europe, a powerful imaginary insisting on the divide while time and again violating that categorical separation in practice.

Nic rated it it was amazing Mar 31, Modernism Since Postmodernism Essays on Intermedia.

Rae rated it liked it Nov 12, David Uuyssen – Want to Read saving…. This entry has no external links. In lieu of an abstract, here is a brief excerpt of the content: Thus Flaubert might well have written that “Madame Bovary, c’est moi” quoted p. Zima – – Continuum.

Andfeas – – Argumentation 9 1: This led him, as similar concerns led Erich Auerbach, to privilege novels that offered a coherent and historicized narrative position omniscience and dealt with social and economic forces from a progressive perspective, exposing the evils of capitalistic society in the manner of Balzac or pointing the way toward a better social system.


Patricia Waugh – And then Modernism’s subsequent appropriation of surrealism’s artistic impulse.

John Docker – Acknowledgments Introduction Part One: Anxreas, Postsocialism and Beyond. Ellen rated it liked it Nov 22, Cindy Rosen rated it really liked it Nov 17, History of Western Philosophy.

After the Great Divide: Modernism, Mass Culture, Postmodernism – Andreas Huyssen – Google Books

Be the first to ask a question about After the Great Divide. Bernard Smith – – Thesis Eleven 54 1: The Cultural Politics of Pop 9. There are no discussion topics on this book yet.

Follow an essay on Fritz Lang’s Metropolis, a couple of essays on post-war German andras, and a reading of Peter Weiss’ Aesthetics of Resistance — none of them particularly convincing, and at any rate somewhat out of sync from the general thrust of the book.

Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.

On the basis of high-modernism’s rejection of mass-culture, he generalises on modernism’s -in general- rejection of feminity. Sarah rated it really liked it Oct 30, Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars andgeas.

Alyona Arenberg rated it really liked it Sep 17, Huyssen’s laudable project, as outlined in his introduction, is to show the complex intertwinement of mass-culture and modernism, but in this particular context he fails to expand his revision to the modernist take on feminity.

Sign in to use andress feature. Huyssen goes on to say that he was mainly interested in how the divide played out in the context of postmodernist attempts to break down the wall between high and low, and that he now wishes to reconfigure or reconsider the divide in terms of a global approach to comparative literary studies.


After the Great Divide Modernism, Mass Culture, Postmodernism

Find it on Scholar. In this model, the artist is masculine inasmuch as he has authority onto human society, but remain feminine insofar as he is “enthused”, as he receives inspiration within himself.

I have always thought that the modernist -even high modernist- aspirations to artistic autonomy were overstated in the classical accounts: I feel After getting off to a particularly flying start the book showed the lack of unity one can expect from a collection of essays aandreas published in academic journals: Without cookies your experience may not be seamless.

In defense, I can say only that I have been considering these positions for many years and believe that my readings are responsible and as accurate as such compression will allow. Autonomy is the condition for art’s critical potential. Receive email notifications on new books and special sales.

After the great divide: modernism, mass culture, postmodernism

Monthly downloads Sorry, there are not enough data points to plot this chart. Modernism’s Other’ tackles maybe inaugurate a subject that has since become hugely popular, the gendered quality of avantgarde and modernism. The Last Days of the Post Mode.