Jibanananda Das (17 February – 22 October / Barisal I Have Seen Bengal’s Face – Poem by Jibanananda Das (Sonnet 4, Rupashi Bangla). Jībanānanda Dāś (17 February – 22 October ) was a Bengali poet, writer, novelist . Jibanananda’s work featured in the very first issue of the magazine, a poem called Mrittu’r Aagey (Before Death). Upon reading the magazine.

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The poem’s ostensible subject is a deer hunt on a moonlit night.

Only after his accidental death in did a readership emerge that not only was comfortable with Jibanananda’s style and diction but banvla enjoyed his poetry.

These included Kallolperhaps the most famous literary magazine of the era, Kalikalam Pen and InkProgoti Progress co-edited by Buddhadeb Bose and others. It has many sentences that scarcely pause for breath, of word-combinations that seem altogether unlikely but work, of switches in register from sophisticated usage to a village-dialect word, that jar and in the same instant settle in jobita mind, full of friction — in short, that almost becomes a part of the consciousness ticking.

He was then 55 and left behind his wife, Labanyaprabha Das, a son and a daughter, and the ever-growing band of readers. By the time his birth centenary was celebrated inJibanananda Das was the most popular and well-read poet of Bengali literature.

A daughter called Manjusree was born to the couple in February of the following year. Milu’s childhood education was therefore limited to his mother’s tutelage. Bangoa, oi khane jeyo nako tumi, Bolonako kotha oi juboker sathe; Fire esho Shuronjona; Nokhhotrer rupali agun bhora rat-e; Fire esho ei mathe, dhew-e Fire esho hridoye amar; Dur theke dure- aro dure Juboker shathe tumi jeyo nako ar. Jibanananda Das conceived a poem and moulded jibabananda up in the way most natural for him.

Even Tagore made unkind remarks on his diction, although he praised his poetic capability. You seem to be clay His love comes to you like grass.? Translations are a works of interpretation and reconstruction. Even when the last quarter of the 20th mobita ushered in the post-modern era, Jibanananda Das continued to be relevant to the new taste and fervour. Views Read Edit View history. When it comes to JD, both are quite difficult. Retrieved 7 June Nonetheless, the injury was too severe to redress.


They are noteworthy not only because of the picturesque description of nature that was a regular feature of most of his work but also for the use jibananxnda metaphors and allegories.

This page was last edited on 2 Decemberat The most widely used portrait of Jibanananda Das date unknown. The following are undoubtedly the most oft-quoted line from this collection:. Das died on 22 Octobereight days after being hit by a tramcar.

By this time, he had left Hardinge and was boarding at Harrison Road. He taught at many colleges but was never granted tenure. He studied English literature and graduated with a BA Honours degree in Inhe completed the MA degree in English eas University of kolkata, obtaining a second class.

He escaped from life. He was appointed to the editorial board of yet another new literary magazine Dondo Conflict. Almost all the newspapers published obituaries which contained sincere appreciations of the poetry of Jibanananda.

Bengali poetry of the modern age flourished on the elaborate foundation laid by Michael Madhusudan Dutt — and Rabindranath Tagore — By using this site, you agree to the Terms of Use and Privacy Policy.

I Have Seen Bengal’s Face – Poem by Jibanananda Das

Why did Jibanananda task himself to forge a new poetic speech, while others in his time preferred to tread the usual path?

In the summer ofhe travelled to Calcutta from Barisal on three months’ paid leave. However, as his style and diction matured, his message appeared obscured. I do not want to go anywhere so fast. Under this sky, these stars beneath — One day will have to sleep inside tiredness — Like snow-filled white ocean of North Pole!

Jibanananda Das

A ground-breaking modernist poet in his own right, Bose was a steadfast champion of Jibanananda’s poetry, providing him with numerous platforms for publication. He was also studying law. Jibanananda Das started writing and publishing in his early 20s. Or maybe that hydrant was already broken. Indeed, Jibanananda Das’s poetry is sometimes an outcome of profound feeling painted in imagery of a type not readily understandable.


As the head of the English department, he was entitled to a taka monthly bonus on top of his salary. Yet it seems Twenty-five years will forever last.

Some intended to merely transliterate the poem while others wanted to maintain the characteristic tone of Jibanananda as much as possible. In Decemberhe moved to Delhi to take up a teaching post at Ramjas College ; again this lasted no more than a few months. Now at midnight they descend upon the city in droves, Scattering sloshing petrol.

During his lifetime he published only poems in different journals and magazines, of which were collected in seven anthologies, from Jhara Palak to Bela Obela Kalbela. In JanuaryMilu, by now eight years old, was admitted to the first grade in Brojomohon School. InTagore compiled a poetry anthology entitled Bangla Kabya Parichay Introduction to Bengali Poetry and included an abridged version of Mrityu’r Aageythe same poem that had moved him three years ago.

Jibanananda was the eldest son of his parents, and was called by the nickname Milu. In the poet’s birth centenary, Bibhav published 40 of his poems that had been yet unpublished.

Shamik Bose has translated a poem, untitled by the poet.

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He jibanaananda afresh to Diamond Harbour Fakirchand College, but eventually declined it, owing to travel difficulties. Bengal was uniquely vulnerable to partition: He stayed at his brother Ashokananda’s place through the bloody riots that swept the city. Once Jibanananda went to Barisal, he failed to go back to Delhi — and, consequently, lost the job.